Torrance students I want to remind you that you're a week behind
where the Palos Verdes classes so please look at the previous blog for
instructions on where you are in class.
PV class you should have your pine trees in
behind the house and your painting should be to a point where you can remove
the masking fluid from the trees and the cottage.
This week we started to detail the snow on the roof of cottage and to finish up the reflection in the pond in front of the
cottage if you are not to that point you need to get to that point so that we
can get this finished.
If you have taken the masking fluid off of the
roof of your house we are now going to add some dimension and texture to the
snow using a mix of ultramarine blue a little touch of purple to create a plum
color and add a lot of water to it because we want it to be a very pale mixture.
You can always add another layer or wash of color to make a darker color, it is
harder to take off color than it is to put it on so you want to sneak up on the
value that you are trying to get.
Using this soft bluish color start at the base
of one of the areas of snow where it touches the thatch part of the roof, this
will be in a shadow part of the snow. Put down some of this color right at the
base working in small areas, rinse your brush, dry it off and then with a damp
brush pull some of that color up into the white snow area. If you do this
correctly you will start to see snow has dimension if you need to do it again
let it dry a bit first but repeat exactly what you did here. You can take
what's left over in your brush and tap round into some of the lighter snow
areas and that creates the sense of texture in the snow.
The stones for the house are done with burnt
sienna, a little touch of yellow and even a little touch of orange, to create a
warm color for the sunny side of the house. It needs to be a shade or so darker
than what is already there and when you put this on it's not going to be a
solid color you're just going to make little dabs and shapes with your brush. Whether
you are using a round brush, an angle brush or a flat brush, you're just going
to be making some little rock types shapes. For the shadow area add a little
touch of purple or blue to this mixture and repeat the process don't try to
line them up or make them even or even the same size or shape because these are
rocks that came out of the field and they are all different shapes. Leave
little thin spaces of that under color to represent the mortar between the
rocks, this is where underpainting comes in it becomes something else such as
the mortar or highlights or just texture.
You can paint in the windows by adding more blue
and even a little touch of purple into the same color to create a dark charcoal
grey but remember if you want snow in these windows do not paint the entire
square leave a bit of white to have snow in your window. If you want to put a
door in there is an indentation to where the door attaches to the house, add
water to the color you have to lighten it paint in a little thin line on one
side of the door rinse your brush and then paint the door any color you would
like to be a blue door, or red door, brown door… make it your own.
The bricks or stones for the chimney I did much
the same way I just used a little bit more burnt sienna and a little touch of
purple into it for the shadows but I left some of the under color show for the
mortar in the chimney.
Now we go back to the reflection in the pond
again. You should have a rough sketch of where the house will show in the water
before you begin, then I want you to wet everything that is supposed to be
water but do not get the snow or the fence post or anything else wet, just what
is supposed to be the pond, so take clear water and wet the area.
Using colors that are similar to what you used
in the house above starting at the shoreline right below the house pull those
colors straight down stopping at your mark on your paper where the house ends,
it does not need to be a perfect reflection it just needs to suggest a
reflection. Remember to pull down some of that lavender color that you put in
for the snow and the shadow colors for the house, these colors should blend
with the wet paper to create a soft image then where the sky is from our last
meeting add some more crimson into that color to darken it slightly you want to
have a soft blurry image that suggests a reflection of the house above it.
I went back in with that shadow color I was
using on the roof and added more shadows into some of the areas around the
house there are several layers of shadows in this snow to make it have
dimension. I also went in - after the reflection was dry - and I toned where
the
railing for the fence and the wood pile is by the house are with a soft mix
of burnt sienna with a touch of blue and lots of water, I don't want dark
colors yet this is just the underpainting. Lastly I took a mix of blue and
purple and a little sienna to make a dark bluish color and using my small
angled brush I put a dark line right around the shoreline, just remember you
can only see this color for the parts of the shoreline that are directly in
your line of sight, so do not outline the entire thing look at it closely and
look at the reference to find out where the snow or the shoreline may be
blocking little inlets.
Do as much as you can to get your painting to
this point and we will continue from there so keep painting and I will see you
in class.
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