I'm writing the blog using the Palos Verdes project as reference because they are a little bit ahead so the Torrance class will get a preview of what to expect in our next class we will go over everything so don’t panic it’s just the PV class is a bit longer and I can cover more ground.
I started out mostly by working in the background finishing up the window and the window box and a little pot by the door, I also put the vine around the window and that was just using a bright light green and tapping in to create the effect of vines crawling up the window I also did the same thing over the door so it looks like vines are falling over the top of the door.
I worked a bit on the windows using a darker blue and negative painting the curtains in the window. What that means is I created the opening of the curtains to suggest the curtains in the color that was already there.
Most of the work done on project today was using dry brush so be prepared to do dry brush. What dry brush means is that you have very little paint and practically no water on your brush so as you are painting you want to leave streaks, this will give you the wood-like texture not only on the chair but also to the windows and the flower box under the window in the background.
In the background on the windows I mixed burnt sienna with a little orange to create a warmer slightly darker color then I already had on my windows making sure that I had very little water in my brush I dry brushed the frame of the windows and the flowerbox. I may go over it again later but will leave it for now, remember you want some of that lighter color that you put on earlier to show through this creates texture and grain in the wood so don't try to cover it all up.
Next I started working on the chair itself before I started to work on the chair I looked at the actual reference photo not something that we've done in class but the actual photo I need to see value as well as color changes in the wood before I ever start working on the chair so you should also have your reference photo in front of you where you can see it.
If you look at the reference photo you will see that the back of the chair is much darker then the seat in front of the chair also the front of the chair and the legs that are holding it up are much warmer color, so noting these differences the first color I mixed was a dark gray color using my ultramarine blue the dioxazine purple and a touch of burnt sienna.
Using my quarter inch angled brush I made sure that I didn't have too much water on my brush and I streak this color onto the back of the chair. You want to make sure that you paint around the lighter areas of the front of the chair and you also want to make sure that you don't cover everything from your original light wash that becomes the leftover paint and worn spots on the back of the chair.
The front parts of the chair I added some more burnt sienna and a little touch of orange into the same mix I used for the back of the chair with more water to make it just a little lighter and a little warmer, this I streaked onto the front of the chair making sure that I was following the grain of the wood. Please note that the legs that come down from the arms are vertical so your brush strokes will be vertical, the front of the chair is mostly horizontal so that is the way you need to apply the dry brush so that it follows the grain of the wood. Following that grain is also important when you are doing the armrest because they also go at a slightly diagonal direction, you don't want your brush strokes to be any other direction then the actual direction they go.
I have managed to do a couple of layers of dry brush on my chair do the best you can and try to get your chair to this point if you are in the PV class if you are in the Torrance class we will go over this part of the painting in our next session so keep painting and I will see you in class.